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Monday, March 19, 2012

Sometimes in the Arts, Impermanence Is Good

A very interesting  take on the vexing question of "authenticity" and some points that are quite applicable to thinking about  how directors, designers, performers, and opera producing companies themselves might need to approach the creation of  "new work" based on an existing (and often very well known) piece.

Wall Street Journal:
Sometimes in the Arts, Impermanence Is Good

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